SHYAM BENEGAL Shyam Benegal grew up in the shadow of the Charminar at Hyderabad. Perhaps that childhood gave him two important outlooks the first of the quintessentially rural Andhra, the second of a more polished, Urduised, Hyderabad. Whatever the reason, Shyam decided, at a very early age, to grow up and make movies. In this…
How Madras became India’s film capital The next time you are talking about Indian films, don’t let your tongue slip into saying “the Bombay film industry” No longer is Bombay India’s film capital. In 1979, less Hindi films were produced than in Tamil, Telugu and Malayalam. The Censors in Madras can barely keep up with…
The badmen in films only make good punching-bags for the heroes and fight-composers, says CHAITANYA KALBAG. Picture Little Red Riding Hood, seated in a cinema house looking at a Hindi movie. When the drums growl and the shadows lengthen, when the script says it’s time for evil, when the hoi polloi shift to the edge of…
“I Think I’ve Just Been Lucky” “I’m what some people call a teenage star. But really. I think I’ve just been lucky. I’m told that I was born on the night of December 28. 1951, precisely at the moment the first star appeared in the sky over Bombay. If so, that star was a good…
It took me eight months to discover that I was living next door to a film person. And that too, because the chap appeared in a “daring, all-clothes-barred” gatefold In a girlie mag. Yes. My neighbour was there in B & W. in all his hairy, slightly paunchy evidence. Undressed. In disabille. There was a…
A really good film should not be concerned so much with its plot, as with its characters and the interplay of those characters. Though the characters, the intelligent filmmaker aims at establishing in the consciousness of the spectators the elements that would lead them to the idea he wants to communicate; he attempts to place…
Kem Chho, Chandra Bhai? Fine, I see. Thought I’d discover what makes you tick. Tell me what’s doing. Chandra Barot does not answer at once. He’s busy buttoning his cuff. And then: I’m directing Don. And this is keeping me on my toes right now. It’s a fun experience, shooting with Amitabh and Zeenat…
Mr. Girish Karnad, the Director of the Film and Television Institute of India, Poona, arranged a screening of the Diploma Films 1974, on the 1st and 2nd September in Bombay. In his brief introduction Mr. Karnad said the Diploma films were characterised by two points: students made films on subjects which they would not normally…
If you’re the sort of person who expects value for every paisa you spend, go see Sholay, 23 reels and three and a half hours later, you’ll stagger out of the auditorium and gulp in the sweet air outside. Your ears will have been assailed by stereophonic sound (If the theatre had facilities for it),…
Political cinema, like the new wave of the mid-’70s, has long acquired a pejorative meaning in India. At most, a political film that catches the public eye is built around a social theme that fits in with the Government’s meandering philosophy. A ‘successful’ political film also usually turns out to be feature-length, in colour, and…